Light Manipulation

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Red lasers shot on black & white Kodak T-Max 400 film, home developed, scanned, and digitally inverted as a "color" film using Negative Lab Pro. Because the film emulsion only records and displays shades of grey, all colors present in the final image are artifacts from the scanning process, image encoding, and digital negative inversion algorithm. 

Unexposed Kodak Vision3 500T cinema film subjected to aberrant contact with developer due to an unclear error during development, scanned and inverted as a color negative. The final image is the product of a purely chemical and mechanical sequence of events with no participation of light traveling through a lens.